CHRISTOPHER ST. LEGER
St. Leger chooses to paint from a low perspective, "as from a car's headlights," he notes. AUTOMOTIVE, the show's title, references this angle and suggests a momentary view from a car window. Compositionally, he adheres to the reality of perspective while stylistically embracing a more expressionistic exposure creating what he calls an automotive pastoral . . . exploring a new city without a map. A joyride of attention on the visual.
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